The emulation of the JMP50* head with serial no. 4626C, and its matched cabinet, which belonged to The Darkness*. It has two input Channels. Channel 1 is brighter and more crunchy, with a lot of presence. Channel 2 is much richer on the low frequencies and a bit more fuzzy. Inputs 1 and 2 were often connected with a jumper to have both channels mixes together: by using the two volume knobs you can balance the top-end and the amount of bottom-end, and experiment infinite combination of tones.

The Darkface ’65 is a super clean classic American tube amp.This amp found its way in various musical styles because of its ability to preserve the guitar’s natural tonal characteristics. The amp was designed to stay clean at very high volumes. Try playing clean arpeggiated chords on this amplifier and you will understand why it has been used on so many records.

The Rock ’75 was one of the most popular British tube amps in the 80s. Although used in a lot of hard rock bands, it is very capable of handling clean arpeggiated chords. This amp is also popular amongst blues-rock players because of its beautiful crunchy overdrive which responds well to guitar players’ dynamics. This100 watts amplifier is considered a "hot" amplifier because it has more gain stages than comparable amplifiers.

This amplifier is an original design by Overloud. It has been developed to create the typical Progressive Metal tone: very high gain but smooth, with a perfect balance on all the frequencies. It allows to play chords without loosing the clarty of each string.

The Slo 88 (US) amp is based on an American all tube guitar preamp released in the late 80s on the West Coast. The amp includes three distinct channels giving much flexibility and versatility to guitar players. The third channel is wonderful for lead guitar work. The distortion of the Slo 88 (US) is very musical and will add lots of gain to your guitar without changing its character. This channel also works great for heavier hard rock riffs. Your guitar will really cut nicely through the mix because of the natural bright voicing of this channel.

The Overloud proprietary technology allows our engineers to capture the response of an entire rig, including the nonlinear and dynamic response of the amplifier, the cabinet, the microphones, the mic preamplifier and the room sound. Rig To Model technology allows to capture both analog and digital setups.

It is the cabinet that matches with the Made In Rock Dark 100 amplifier. It is equipped with four Celestion* G12T 75W  speakers, famous for their deep low-end punch, and a bright, aggressive top-end.

Thanks to Overloud Fluid Convolution you can place up to 4 microhpnes in the 3D space around the cab and blend them with custom IRs. The ReSPiRe option adds the feeling of standing nearby the cabinet.

This 1x12”guitar cabinet is a great choice for any musical styles. Equipped with Celestion speakers, this module is a favorite amongst many players who require a single speaker tone that can handle cleans, overdriven tones, and heavier lead sounds. Many blues rock players have made this 1x12" Clst (UK) guitar cabinet the central part of their set up. Because it is a single speaker cab, your tone will sound more focused and take a little less space.

This 2x12” entire cabinet is perfect for clean tones and lead tones. It is voiced on the brighter side which is a great asset when trying to cut through the mix. Being that this module has two 12” speakers, it will make your guitar sound more focused than a 4 x 10” cabinet. This makes the 2x12" OB Darkface '65 (US) particularly useful for solo work. It is a great choice for Blues, Jazz or Rock.

This 2x12” guitar cab is modeled after a classic British guitar cab made famous for its ability to carry out all the nuances of your playing. The original cab was released in the early 60s and still remains a favorite amongst many professional guitar players.

This 4x12” guitar cabinet is modeled after a famous modern guitar made in California. This module is the perfect complement to any guitar amplifier. The 4x12" Modern (US) This comfortable with any musical styles and will add clarity to your tone without coloring your original signal.

This 4x12” guitar cab is modeled after a classic British cab released in the early 60s. If you’ve ever been to a rock concert, it is more than likely that you saw those cabs on stage. This module will give your tone huge depth and tons of character. It is comfortable in most musical situations, but will really shine with the drive knob of your amp cranked up.

The D-Reverb is powered by Overloud’s BREVERB and produces beautiful musical digital reverberation. This effect offers a very pure echo to your sound that will work in any musical situations. Add to this effect to a clean arpeggio guitar section to make its more musical. Try it with an overdriven guitar tone to add more depth in space to your sound. The D-Reverb Is a very simple guitar pedal to use. This module will make any guitar tones sound richer.

The D-Delay is modeled after a very famous stomp box pedal effect made by a very well known Japanese manufacturer. This pedal is a digital delay and will give you a very clean and precise processed signal.The effect offers a Tap function allowing you to match the repetitions to the tempo of the song you are playing. The D-Delay is a stereo effect and allows you to bounce the delayed track left and right which works wonderfully on clean arpeggiated sections.

The CHR-2 chorus is modeled after a very popular Japanese stomp box effect pedal released in the early 80s. This pedal will give you a classic sounding chorus as heard on many classic rock records. The CHR-2 works great with arpeggiated chords. It does a great job at preserving your guitar’s original tonal character. This discreet sounding chorus is perfect for clean tones. It will enhance your sound without over-coloring your original tone. It is the perfect addition to any guitar effect rig!

The SDriveOne guitar overdrive is modeled after a very famous Japanese stomp pedal. It offers a super smooth and musical overdriven tone that does a fantastic job at preserving the subtle nuances of your playing. The SDriveOne module is perfect for Blues and Rock. It adds a natural tube sounding voicing to any guitar rig. Turning the Drive knob all the way up will produces a heavy creamy sound reminiscent of British overdriven amps. This makes it great for punchy rock riffs or solos.

The Parametric EQ is an Overloud custom equalizer that allows you to shape your tone further than what most guitar amplifiers allow you to. Two separate frequencies can be adjusted. This module is particularly useful when trying to make a lead guitar stand out in a mix. Increasing the mids will give you more definition and help you cut through the other tracks. Scooping the mids will give you a super heavy tone when used in conjunction of a heavily distorted amp.

The Parametric EQ is an Overloud custom equalizer that allows you to shape your tone further than what most guitar amplifiers allow you to. Two separate frequencies can be adjusted. This module is particularly useful when trying to make a lead guitar stand out in a mix. Increasing the mids will give you more definition and help you cut through the other tracks. Scooping the mids will give you a super heavy tone when used in conjunction of a heavily distorted amp.

The Cat is modeled after a classic stomp box distortion pedal known for its raw dirty - yet beautiful - distortion tones. Adding this pedal in front of any clean amp will automatically add the perfect amount of dirt needed for heavy rock rhythm sounds. This pedal is perfect for anything that needs to stand out. TheCat is great for heavier forms of Blues. It will also cover all your Punk rhythm tones. The pedal is rich in mids which makes it very useful when trying to make a musical statement that cuts through the mix.

This Doubler pedal recreates the classic double-tracking technique from a mono signal. Play once, and it instantly generates a wide, natural stereo image—without the artifacts of traditional delay-based methods.