OTD-2 Overloud Tapped Delay

OTD-2

OTD-2: Overloud Tapped Delay

The Overloud Tapped Delay is the recreation of a unique analog processor which delivers modulating tap delays along with sound widening effects. 6 analog bucket-brigade delays can be individually switched and panned to create custom delay patterns.

  • Faithful recreation of the original sound-widening tone
  • 6-tap delay on each channel with independent panning control
  • Stereo operating mode with separate controls for the left and right channels
  • Dual-mono, Stereo and Reverb modes allow to create wider soundscapes
  • 30x Extended delay time, with BPM sync option
  • User adjustable bucket-brigade tone coloration
  • Dual LFO circuit with a controllable sweep rate
  • Multilevel undo-redo
  • A/B Comparison
  • Lots of presets designed in real mixing sessions
  • Scribble Strips: take notes anywhere on the plugin panel

See the Full GEM series

BEYOND THE ORIGINAL HARDWARE

OTD-2 extends the features of the original hardware and joins the flexibility of the digital world to the character of the analog processing.

6 Stereo Taps
6 Stereo Taps

6 delay taps can be assigned for the left and right cannels separately, as well as switched on/off. The head positioning can be tweaked as well.

Cross and Reverb modes
Stereo and Reverb modes

In addition to the mono mode, the delay regeneration can be stereo-reversed (Cross mode) and taken from multiple taps (Verb mode) in order to create a reverb-like decay.

Extended Delay Time
Extended Delay Time

The maximum delay time is extended from 55mSec to 1600mSec, with a BPM sync option

OTD-2

Your new secret weapon

  • Go beyond the traditional delays and chorus and create unique modulations and sound widening.
  • Create astonishing doubling effects on vocal tracks.
  • Add warmth and character to any source thanks to its ultra-analog delay circuit.
  • Replicate the tone of legendary artists like Jimmie Vaughan and Allan Holdsworth
OTD-2

How OTD-2 works

  • 6 stereo bucket-brigade delay units can be independently panned to the left or right channel
  • A dual LFO circuit modulates the delayed signal to create three-dimensional layering effects
  • A flexible regeneration circuit adds sonic character by allowing flanging and creative resonances effects
  • The delay taps can be set to a non-harmonic configuration for sound-widening and reverb-like tones, or evenly spaced to create rhythmic patterns
  • The internal compander circuit adds a unique dynamic to the repetitions