The EPI-100 is way more than a modern mod of one of the most famous metal amps in the world. It has a few unique options like none of the others and it works great in nearly every music context. Use the "hf drive" knob to make your sound even more aggressive with incredible attack and sustain.

I choose the ENG-100 when I need to get a classic heavy metal tone. Like the EPI-100, this amp features eight IR's covering the entire dynamic range needed by the modern guitarist." - A. Smirnoff

The German Metal Machine amp is aimed to recreate the tone of the German albums I played on. You should choose this one If you are a fan of Teutonic guitar sound! The GMM-100 can be equally useful for heavy rhythms and leads." - A.Smirnoff

Use Modern Metal Beast if you need to serve a modern metal or djent song with a low tune guitar. It has enough aggression and attack to make your tracks sit in the mix perfectly. The Modern Metal Beast has been designed to be the Boogie of the 21st century.

It is a 2x12 solid state combo amp made in the 70s. Part of its fame comes from BB King, who has been using it from time to time. It has a very impressive clean tone, considering it's made in the 70s.

Paired with the German Metal Machine, this 4x12\" guitar cabinet, designed by Andrey Smirnoff, offers a tight low end and a lot of presence and definition for the most techical metal playing style.

This 4x12" guitar cabinet, designed by Andrey Smirnoff, is the matched cabinet of the Modern Metal Beast amp. It delivers a huge and open tone, with a deep low end, for brutal tones.

The Multiband Compressor allows to compress the bass, mid and high frequencies separately and keep the tone well balanced in any kind of playing style. This is particularly useful when palm-muting or playing djent

Create wide stereo tones with the Space Machine pedal. The Width knob enhances the stereo space of your tone. The Space knob creates a 'doubler' effect for wide and huge tones.

The Atmosphere pedal offers a crystal clear and lush modern reverb for creating glorious intros in metal songs.

The Parametric EQ is an Overloud custom equalizer that allows you to shape your tone further than what most guitar amplifiers allow you to. Four separate frequencies can be adjusted. This module is particularly useful when trying to make a lead guitar stand out in a mix. Increasing the mids will give you more definition and help you cut through the other tracks. Scooping the mids will give you a super heavy tone when used in conjunction of a heavily distorted amp.

The TubeNine is modeled after the famous Japanese tube enhancer guitar effect pedal. This pedal simulates the tone you would get with a warmed up tube guitar amplifier. This pedal is great to add even more realism and feel to any of Overloud’s already super realistic models. In addition to the tone control knob, the TubeNine offers a built in \"mid-hump\" which enhances the mid frequencies. This makes it a very useful pedal as it will help your guitar sections cut through the mix.

The RSS Comp is modeled after a classic vintage guitar compressor very sought after by collectors and tone chasers. The compressor adds warmth and sustain to your guitar tone. Increasing the sustain knob will add a slight saturation to your clean sounds giving players the feel of a warm tube amp. Adding the RSS Compressor to your guitar effect rig can really make the difference and add a musical analog feel to your overall tone. When used in a lead guitar situation, the RSS Comp helps your longer notes sustain and feedback as they would when playing through a cranked up amplifier.

The CHR-2 chorus is modeled after a very popular Japanese stomp box effect pedal released in the early 80s. This pedal will give you a classic sounding chorus as heard on many classic rock records. The CHR-2 works great with arpeggiated chords. It does a great job at preserving your guitar’s original tonal character. This discreet sounding chorus is perfect for clean tones. It will enhance your sound without over-coloring your original tone. It is the perfect addition to any guitar effect rig!

The D-Delay is modeled after a very famous stomp box pedal effect made by a very well known Japanese manufacturer. This pedal is a digital delay and will give you a very clean and precise processed signal.The effect offers a Tap function allowing you to match the repetitions to the tempo of the song you are playing. The D-Delay is a stereo effect and allows you to bounce the delayed track left and right which works wonderfully on clean arpeggiated sections.

The D-Reverb is powered by Overloud’s BREVERB and produces beautiful musical digital reverberation. This effect offers a very pure echo to your sound that will work in any musical situations. Add to this effect to a clean arpeggio guitar section to make its more musical. Try it with an overdriven guitar tone to add more depth in space to your sound. The D-Reverb Is a very simple guitar pedal to use. This module will make any guitar tones sound richer.

The 7-Band GEQ is modeled after a famous Japanese stomp box guitar effect manufacturer. This pedal is very easy to use. It offers seven adjustable frequencies without the complexity of certain studio rack mount equalizers. Each frequency can be boosted or cut by 15dB. This gives you tons of flexibility and control over your guitar tones. Adding the 7-Band GEQ after a distortion unit can also be very useful to eliminate unwanted noises by decreasing the higher frequencies. This is a must pedal for any guitar players wanting to shape their tone.

The 9-o-Phaser is faithfully modeled after a very famous Phaser stomp box made popular by the great Eddie Van Halen. This effect pedal will work in many musical situations. In front of a clean guitar amplifier, this phaser will produce beautiful rich musical tones that will flow with the rhythm of the song you are playing. Adding it in front of a heavy guitar amp will naturally enhance certain harmonics and help your riffs cut through any mix. The 9-o-Phsr is an excellent choice if you are into rock music. It will produce a very analog like filter effects that will enhance any guitar sections you through it.

The Mild Flanger module is on Overloud custom creation that will add a beautiful discrete modulation effect to your tone. This pedal is perfect if you want to add a bit of depth to your tone. Increase the delay knob to make a mono guitar track sound like it was recorded in stereo. Adding the Mild Flanger to a clean guitar tone will make it stand out. This pedal almost sounds like a chorus effect. Adding this module to an overdriven guitar tone will help certain frequencies cut through the mix.

The SDriveOne guitar overdrive is modeled after a very famous Japanese stomp pedal. It offers a super smooth and musical overdriven tone that does a fantastic job at preserving the subtle nuances of your playing. The SDriveOne module is perfect for Blues and Rock. It adds a natural tube sounding voicing to any guitar rig. Turning the Drive knob all the way up will produces a heavy creamy sound reminiscent of British overdriven amps. This makes it great for punchy rock riffs or solos.

The Octaver is modeled after a famous Japanese guitar stomp box pedal. Enabling the effect will double your signal an octave lower. This is great for heavy guitar riffs and will add an incredible synth-like tone to your musical lines. Adding the Octaver to a lead guitar solo will help it stand out in the mix. This effect also works beautifully with clean tones. Try adding it to a single notes Funk rhythm motif for instant gratification. Use the Tone knob to shape the overall sound of the added octaves.

The volume pedal is a very simple effect that allows you to control the amount of volume that comes out of your rig. By assigning a MIDI controller to the Volume Pedal, you can create beautiful atmospheric swells with your foot. Adding some reverb and delay to your tone will work particularly well with this technique. The Volume Pedal is also a great tool to use live as it will help you manually set the overall volume of your guitar rig without having to mess with the amplifier.

Built to the exact specifications of the original pedal, this Wah-Wah is totally authentic right from its classy chrome top to its legendary growl.

The Digital Delay module is a very clean delay effect designed by Overloud. Because the delay is digital, it will reproduce exactly the original sound you are playing. This makes it a perfect choice for many musical situations, especially in modern music where it is often important to preserve a clean unaltered signal. The unit can be set to mono or stereo depending on the rig you are building. A convenient Tap button has been added to the effect to allow you to match the repetitions to the tempo of the song you are playing.

A particular delay processor in which the delayed signal is feed into a pitch shifter / harmonizer in order to add a shimmering effect to the decay tail. That was part of the U2 tone of the mid-80s. The TH-U Shimmer delay offers lots of parameters to control the density and the texture of the shimmer.

This intelligent three voice harmonizer creates second voices and chords on your solos. Thanks to its last generation detection algorithm, it can steadily track your parts without introducing any artefact.