The DV Mark Little GH 250 Tube Clean Signature head and the DV Mark 2x12" Greg Howe cabinet have been designed in a partnership between Greg Howe and DV Mark in order to create a guitar amplifier dedicated to the jazz-rock style.
The amp is a two-channel head with a lot of dynamic: it is designed to deliver a well controlled tone, ideal for playing very technical parts and keeping the guitar tone up in the mix.

The DV Mark Little GH 250 Tube Lead Signature head and the DV Mark 2x12" Greg Howe cabinet have been designed in a partnership between Greg Howe and DV Mark in order to create a guitar amplifier dedicated to the jazz-rock style.
The amp is a two-channel head with a lot of dynamic: it is designed to deliver a well controlled tone, ideal for playing very technical parts and keeping the guitar tone up in the mix.

For crunch and lead parts with a jazz-rock vibe, TH-U Greg Howe pack includes the Mr. Howe Plexi head, a unique amp with a modern mid-gain design. It offers a lot of presence in the upper-mid frequency range, optimized to keep the solo parts in front of the mix.

With an artist roster consisting of monster jazz and fusion guitarists (Frank Gambale, Biréli Lagrène, and Dean Brown among them) DV Mark has acquired a reputation as a serious player’s brand. Now the company has collaborated with fusion-shred virtuoso Greg Howe to produce the signature-model Maragold—a 40-watt, EL34-driven, two-channel amp that runs from subdued to fire-breathing.

With an artist roster consisting of monster jazz and fusion guitarists (Frank Gambale, Biréli Lagrène, and Dean Brown among them) DV Mark has acquired a reputation as a serious player’s brand. Now the company has collaborated with fusion-shred virtuoso Greg Howe to produce the signature-model Maragold—a 40-watt, EL34-driven, two-channel amp that runs from subdued to fire-breathing.

This 2 channel all tube British guitar amplifier was very popular in the 90s. It hosts two distinct channels. The first channel handles all the cleans to slightly overdriven crunchy tones. Use this channel with arpeggiated chords, slightly overdriven crunchy bluesy leads, and anything in between.

The Darkface ’65 is a super clean classic American tube amp.This amp found its way in various musical styles because of its ability to preserve the guitar’s natural tonal characteristics. The amp was designed to stay clean at very high volumes. Try playing clean arpeggiated chords on this amplifier and you will understand why it has been used on so many records.

The DV Mark Little GH 250 Tube Signature head and the DV Mark 2x12" Greg Howe cabinet have been designed in a partnership between Greg Howe and DV Mark in order to create a guitar amplifier dedicated to the jazz-rock style.

This is the King of Blues cabinet, equipped with two 12-inch Alnico speakers which delivers a creamy and pristine tone. This is the right choice if you want to recreate a pure American sound for clean and mild crunch tones.

This 4x12” guitar cab is modeled after a classic British cab released in the early 60s. If you’ve ever been to a rock concert, it is more than likely that you saw those cabs on stage. This module will give your tone huge depth and tons of character. It is comfortable in most musical situations, but will really shine with the drive knob of your amp cranked up.

The DV NEOCLASSIC 412 4x12” closed-back speaker cab provides a great classic, deep punchy sound , and makes for a very responsive rig when matched with any DV Mark head, Multiamp, and any other head or stereo amps you may use.

This 4x12” guitar cabinet is modeled after the famous cab designed by the great Eddie Van Halen. Although capable of handling any types of guitar sounds, the 4x12" HeaVy51 (US) module will shine when used with a heavy distorted guitar amp head. Equipped with custom voiced Sheffield speakers, this guitar cabinets will emphasize the mid overtones and help your notes sustain more naturally.

This 4x12” guitar cabinet speaker is modeled after a very famous British cabinet used by many guitar players. Although this cabinet is capable of handling any types of guitar tones, it works particularly well with overdriven guitar tones. Because this is a four speaker guitar cabinet, it has tons of low end and can fill up any room size.

The CM Plaxiphone is the emulation of an overdrive pedal seeking to reecreate the tone of a Carl Martin Plexitone*. This is the main pedal over which Greg's tone is built.

It contains a crunch channel and a high gain channel, and on top of that it gives you an up to 20dB clean boost channel.
The crunch channel goes from subtle overdrive to hard rock gain stage, the high gain channel goes from rock gain stages to absolutely meltdown, with loads of gain and low end.

The RSS Comp is modeled after a classic vintage guitar compressor very sought after by collectors and tone chasers. The compressor adds warmth and sustain to your guitar tone. Increasing the sustain knob will add a slight saturation to your clean sounds giving players the feel of a warm tube amp. Adding the RSS Compressor to your guitar effect rig can really make the difference and add a musical analog feel to your overall tone. When used in a lead guitar situation, the RSS Comp helps your longer notes sustain and feedback as they would when playing through a cranked up amplifier.

The 7-Band GEQ is modeled after a famous Japanese stomp box guitar effect manufacturer. This pedal is very easy to use. It offers seven adjustable frequencies without the complexity of certain studio rack mount equalizers. Each frequency can be boosted or cut by 15dB. This gives you tons of flexibility and control over your guitar tones. Adding the 7-Band GEQ after a distortion unit can also be very useful to eliminate unwanted noises by decreasing the higher frequencies. This is a must pedal for any guitar players wanting to shape their tone.

The Plate Reverb is powered by Overloud’s BREVERB. This effect reproduces the reverberation you would get by hitting a small steel plate under tension. This type of reverb was one of the first methods of reverberation used in the early days of studio recording. This affects produces a short delay that works particularly well at lower settings. Increasing the makes of the reverb can produce unnatural tones. The Plates Reverb works well for cleaner tones and will find its place in your guitar rig if you are into Blues or Jazz music.

The Tape Delay is a classic delay designed by Overloud. In the early infancy of delay effects, the repetitions would be produced by recording and playing back an idea on a tape. This would produce a slightly altered sound to the repetitions as tape recording is not as accurate as what we would hear with digital recording. The Tape Delay reproduces the sound played back through a tape. This type of delay is often considered warmer and more natural that what you would hear with a digital delay.

The TubeNine is modeled after the famous Japanese tube enhancer guitar effect pedal. This pedal simulates the tone you would get with a warmed up tube guitar amplifier. This pedal is great to add even more realism and feel to any of Overloud’s already super realistic models. In addition to the tone control knob, the TubeNine offers a built in “mid-hump” which enhances the mid frequencies. This makes it a very useful pedal as it will help your guitar sections cut through the mix.

The BeeDeeToo is modeled after a famous Blues overdrive pedal. Once activated, the pedal will deliver a warm creamy overdriven tone perfect for the Blues. With the drive on lower settings, the pedal can act as a booster which is great when trying to cut through a mix a bit better. Increasing the drive will give you a very musical overdriven lead tone. The pedal is great when you need to add a bit of character and dirt to you tone without getting into full distortion.

The Octaver is modeled after a famous Japanese guitar stomp box pedal. Enabling the effect will double your signal an octave lower. This is great for heavy guitar riffs and will add an incredible synth-like tone to your musical lines. Adding the Octaver to a lead guitar solo will help it stand out in the mix. This effect also works beautifully with clean tones. Try adding it to a single notes Funk rhythm motif for instant gratification. Use the Tone knob to shape the overall sound of the added octaves.

The Mu-Wah is packed with tons of settings that allow you to configure the type of Wah effect you are after. This module allows you to configure the filter and the sweep of the effect. The Mu-Wah is like having multiple Wah pedals in one. Once you have configured the module, you can assign to any of its parameters a MIDI controller. Use the Mu-Wah in both clean and overdriven setups to make your guitar sing. Whether you are looking for a discrete Wah to enhance your funk rhythm sections or looking for a Wah capable of extreme sweeps, you should definitely check out the Mu-Wah.

The AmpTrem is modeled after the classic tremolo effect as heard in classic clean American and British amplifiers. This effect works particularly well with clean guitar sections. It will add a very musical modulation to your sound. Different tremolo modes are available for you to choose from. Each modes will give you different modulation curves from discrete mellow tremolo for clean jazz voicings to more pronounced tremolo effects ideal for single note guitar lines. Combined with the delay pedal, the AmpTrem will produce a wonderful musical tone ideal for complex chord voicings.

The D-Delay is modeled after a very famous stomp box pedal effect made by a very well known Japanese manufacturer. This pedal is a digital delay and will give you a very clean and precise processed signal.The effect offers a Tap function allowing you to match the repetitions to the tempo of the song you are playing. The D-Delay is a stereo effect and allows you to bounce the delayed track left and right which works wonderfully on clean arpeggiated sections.

The VariMu Comp is an Overloud custom compressor inspired by some of the best studio compressors in the world. Using the VariMu Comp on your guitar tracks will thicken them and add warmth to them. This is a discreet effect that will make any tone more musical. This module is suited for any musical genres. Using it over clean arpeggiated chords will help each note sound more consistent. Using it over a rich distorted tone will help the notes sustain more and encourage natural feedback to occur.

The Rich Flanger was modeled after a classic boutique Flanger pedal. adding this module your guitar rig will produce rich, thick musical flanging sounds. The Rich Flanger effect is suitable for any musical styles. Adding it in front of a clean amp will complement any arpeggiated guitar section. Matching the speed knob to the tempo of the song you are playing will help your guitar track fit nicely with the rest of the instruments. Adding the Rich Flanger in front of an overdriven guitar amplifier will add character and life to your guitar riffs.