The emulation of the JMP 2104 owned by the Siouxsie and the Banshees. It is built using Overloud’s proprietary Fluid Modeling technology, ensuring unmatched realism while accurately capturing the full dynamic response of each knob.
Modeled after the first Master Volume circuit (2204), this amp delivers an aggressive and punchy tone that stands out from later revisions. While it has plenty of gain on tap, Siouxsie and the Banshees favored low-to-mid gain settings to take advantage of its exceptional transient attack and sharp articulation.

The built-in cabinet is fitted with two 12″ Celestion G12-65 T3054 15Ω speakers, which are a bit darker than the T3120 speakers mounted on subsequent revisions of this amp. It has been captured with 18 microphones with high resolution nonlinear IRs; thanks to Overloud Fluid Convolution you can place up to 4 microphones in the 3D space around the cab and blend them with custom IRs. The ReSPiRe option adds the feeling of standing nearby the cabinet.

The Rich Flanger was modeled after a classic boutique Flanger pedal. adding this module your guitar rig will produce rich, thick musical flanging sounds. The Rich Flanger effect is suitable for any musical styles. Adding it in front of a clean amp will complement any arpeggiated guitar section. Matching the speed knob to the tempo of the song you are playing will help your guitar track fit nicely with the rest of the instruments. Adding the Rich Flanger in front of an overdriven guitar amplifier will add character and life to your guitar riffs.

The 7-Band GEQ is modeled after a famous Japanese stomp box guitar effect manufacturer. This pedal is very easy to use. It offers seven adjustable frequencies without the complexity of certain studio rack mount equalizers. Each frequency can be boosted or cut by 15dB. This gives you tons of flexibility and control over your guitar tones. Adding the 7-Band GEQ after a distortion unit can also be very useful to eliminate unwanted noises by decreasing the higher frequencies. This is a must pedal for any guitar players wanting to shape their tone.

The Darkface ’65 is a super clean classic American tube amp.This amp found its way in various musical styles because of its ability to preserve the guitar’s natural tonal characteristics. The amp was designed to stay clean at very high volumes. Try playing clean arpeggiated chords on this amplifier and you will understand why it has been used on so many records.

A particular delay processor in which the delayed signal is feed into a pitch shifter / harmonizer in order to add a shimmering effect to the decay tail. That was part of the U2 tone of the mid-80s. The TH-U Shimmer delay offers lots of parameters to control the density and the texture of the shimmer.

This amplifier is an original design by Overloud. It has been developed to create the typical Progressive Metal tone: very high gain but smooth, with a perfect balance on all the frequencies. It allows to play chords without loosing the clarty of each string.

The Rock ’75 was one of the most popular British tube amps in the 80s. Although used in a lot of hard rock bands, it is very capable of handling clean arpeggiated chords. This amp is also popular amongst blues-rock players because of its beautiful crunchy overdrive which responds well to guitar players’ dynamics. This100 watts amplifier is considered a "hot" amplifier because it has more gain stages than comparable amplifiers.

The Slo 88 (US) amp is based on an American all tube guitar preamp released in the late 80s on the West Coast. The amp includes three distinct channels giving much flexibility and versatility to guitar players. The third channel is wonderful for lead guitar work. The distortion of the Slo 88 (US) is very musical and will add lots of gain to your guitar without changing its character. This channel also works great for heavier hard rock riffs. Your guitar will really cut nicely through the mix because of the natural bright voicing of this channel.

The Overloud proprietary technology allows our engineers to capture the response of an entire rig, including the nonlinear and dynamic response of the amplifier, the cabinet, the microphones, the mic preamplifier and the room sound. Rig To Model technology allows to capture both analog and digital setups.

This 1x12”guitar cabinet is a great choice for any musical styles. Equipped with Celestion speakers, this module is a favorite amongst many players who require a single speaker tone that can handle cleans, overdriven tones, and heavier lead sounds. Many blues rock players have made this 1x12" Clst (UK) guitar cabinet the central part of their set up. Because it is a single speaker cab, your tone will sound more focused and take a little less space.

This 2x12” entire cabinet is perfect for clean tones and lead tones. It is voiced on the brighter side which is a great asset when trying to cut through the mix. Being that this module has two 12” speakers, it will make your guitar sound more focused than a 4 x 10” cabinet. This makes the 2x12" OB Darkface '65 (US) particularly useful for solo work. It is a great choice for Blues, Jazz or Rock.

This 2x12” guitar cab is modeled after a classic British guitar cab made famous for its ability to carry out all the nuances of your playing. The original cab was released in the early 60s and still remains a favorite amongst many professional guitar players.

This 4x12” guitar cabinet is modeled after a famous modern guitar made in California. This module is the perfect complement to any guitar amplifier. The 4x12" Modern (US) This comfortable with any musical styles and will add clarity to your tone without coloring your original signal.

This 4x12” guitar cab is modeled after a classic British cab released in the early 60s. If you’ve ever been to a rock concert, it is more than likely that you saw those cabs on stage. This module will give your tone huge depth and tons of character. It is comfortable in most musical situations, but will really shine with the drive knob of your amp cranked up.

The D-Reverb is powered by Overloud’s BREVERB and produces beautiful musical digital reverberation. This effect offers a very pure echo to your sound that will work in any musical situations. Add to this effect to a clean arpeggio guitar section to make its more musical. Try it with an overdriven guitar tone to add more depth in space to your sound. The D-Reverb Is a very simple guitar pedal to use. This module will make any guitar tones sound richer.

The RSS Comp is modeled after a classic vintage guitar compressor very sought after by collectors and tone chasers. The compressor adds warmth and sustain to your guitar tone. Increasing the sustain knob will add a slight saturation to your clean sounds giving players the feel of a warm tube amp. Adding the RSS Compressor to your guitar effect rig can really make the difference and add a musical analog feel to your overall tone. When used in a lead guitar situation, the RSS Comp helps your longer notes sustain and feedback as they would when playing through a cranked up amplifier.

The CHR-2 chorus is modeled after a very popular Japanese stomp box effect pedal released in the early 80s. This pedal will give you a classic sounding chorus as heard on many classic rock records. The CHR-2 works great with arpeggiated chords. It does a great job at preserving your guitar’s original tonal character. This discreet sounding chorus is perfect for clean tones. It will enhance your sound without over-coloring your original tone. It is the perfect addition to any guitar effect rig!

The SDriveOne guitar overdrive is modeled after a very famous Japanese stomp pedal. It offers a super smooth and musical overdriven tone that does a fantastic job at preserving the subtle nuances of your playing. The SDriveOne module is perfect for Blues and Rock. It adds a natural tube sounding voicing to any guitar rig. Turning the Drive knob all the way up will produces a heavy creamy sound reminiscent of British overdriven amps. This makes it great for punchy rock riffs or solos.

The Parametric EQ is an Overloud custom equalizer that allows you to shape your tone further than what most guitar amplifiers allow you to. Two separate frequencies can be adjusted. This module is particularly useful when trying to make a lead guitar stand out in a mix. Increasing the mids will give you more definition and help you cut through the other tracks. Scooping the mids will give you a super heavy tone when used in conjunction of a heavily distorted amp.

The D-Delay is modeled after a very famous stomp box pedal effect made by a very well known Japanese manufacturer. This pedal is a digital delay and will give you a very clean and precise processed signal.The effect offers a Tap function allowing you to match the repetitions to the tempo of the song you are playing. The D-Delay is a stereo effect and allows you to bounce the delayed track left and right which works wonderfully on clean arpeggiated sections.

The Parametric EQ is an Overloud custom equalizer that allows you to shape your tone further than what most guitar amplifiers allow you to. Two separate frequencies can be adjusted. This module is particularly useful when trying to make a lead guitar stand out in a mix. Increasing the mids will give you more definition and help you cut through the other tracks. Scooping the mids will give you a super heavy tone when used in conjunction of a heavily distorted amp.